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Quaderns - Guerrilla interviews #2 | Sam Jacob
Sam Jacob is co-founder of FAT [Fashion Architecture Taste], an architecture office with an international reputation for delivering outstanding and award winning projects at a range of scales and for many different uses. He also write the blog Strange Harvest.
Quaderns has been at the 13th International Architecture Exhibition in Venice and has asked to several participants which were their responses to the notion of Common Ground posed by the curator of this edition, David Chipperfield.
We present several responses to an idea with fuzzy boundaries, where the Common, beyond a return to convention, appears once again to be defined by different attitudes and approaches addressing practical and theoretical layers of architecture.
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COMMONPLACE ISSUE 4: AFTER THE PARTY [30.08.12]
“There is a power of speculation that is not commercial: it is propositional, projective, and positive. Speculative architecture captures the promise of the near-future and attempts to convincingly construct it in the present. It redeploys the latent and the overlooked, and turns them into the nearly-new — the recognisably novel but incrementally improved.”
Amelia Groom
Amelia Stein
The Ship
» What is “Commonplace”? In response to David Chiperfield’s theme for the 2012 Venice Architectural Biennale, Fulcrum produced four daily sheets exploring the decline of the Commons (as a physical territory and intellectual domain), the shared aesthetic of our digital age, the possibility of ontological affinity with non-human entities, and speculating about the post-crash future of architecture.
Presented as part of the British pavilion’s “Venice Takeaway” programme.
More info: Fulcrum COMMONPLACE
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You will need time to review all of the 124 projects curated by Spontaneous Interventions, but there’s no doubt it worth it.
Not happy yet? Also you can participate in a online debate with four questions:
- Are We Fighting With or Against ‘The Man’?
- Is Tweeting for Action Enough?
- But How Do You Fund It?
- Who is Community, Anyway?
The answers to these apparently common questions will show the complexity beyond a spontaneous intervention.
—
About Spontaneous Interventions: design actions for the common good is the theme of the U.S. Pavilion at the 13th International Venice Architecture Biennale - Common Ground (Fall 2012).
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Books of Copies
San Rocco has been invited to contribute to the Museum of Copies, the show presented by FAT (London, UK) at the 13th International Architecture Biennale. San Rocco contributes by launching the “Books of Copies” project.
International Exhibition, Arsenale, FAT’s Museum of Copying.
Exhibition: 29 August – 25 November
Giorgio De Vecchi © 2012
—via giodevecchi
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Quaderns - Guerrilla interviews #1 | Peter Eisenman
Quaderns has been at the 13th International Architecture Exhibition in Venice and has asked to several participants which were their responses to the notion of Common Ground posed by the curator of this edition, David Chipperfield.
We present several responses to an idea with fuzzy boundaries, where the Common, beyond a return to convention, appears once again to be defined by different attitudes and approaches addressing practical and theoretical layers of architecture.
[SP]
Quaderns ha estado en la 13ª Bienal de arquitectura de Venecia y ha preguntado a varios participantes cuál ha sido su respuesta a la noción de Common Ground propuesta por el comisario de esta edición, David Chipperfield.
Respuestas diversas para una idea con límites difusos, donde lo común, más allá de un regreso a lo convencional, parece definirse una vez más por la diferencia de actitudes y aproximaciones frente a los estratos prácticos y teóricos de la arquitectura.
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The new issue of Volume, Volume 32: Centers Adrift checks out new notions of centrality, of emerging patterns and entities that influence our understanding of relationship and interdependency as a new common ground for design. An issue featuring a 900 kilometer long city challenging our notion of ‘city’ and ‘actor networks’ as challenging our notion of planning. Centers become peripheries and vice versa, new centers and new peripheries emerge. Is one better than the other and can design make a difference here?
More info: Volume Magazine
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Environment - Tranformer
1968
Haus Rucker Co.
are appliances that change sensory impressions for a limited time in a visual and acoustic way. The processes of seeing and hearing are drawn out of their habitual apathy, separated into their individual functions and put together again as special experiences.
» At Venice we also had an interview with Ortner&Ortner former Haus Rucker Co. —Stay tuned for more info! #LaBiennale
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Nigel: And then we looked at each other and says well we might as well join up you know and uh….
David: So we became The Originals.
Nigel: Right.
David: And we had to change our name actually….
Nigel: Well there was, there was another group in the east end called The Originals and we had to rename ourselves.
David: The New Originals.
Nigel: The New Originals and then, uh, they became….
David: The Regulars, they changed their name back to The Regulars and we thought well, we could go back to The Originals but what’s the point?Spinal Tap
From Villa Rotunda Redux by FAT Architecture. More info at Strangeharvest and FAT Architecture web-site
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Edited by the Barcelona-based curatorial office Latitudes, designed by Chad Kloepfer and Joel Stillman, and freely distributed from a micro-newsroom at the New Museum, New York, from October – December 2010, ‘The Last Post’, ‘The Last Gazette’, ‘The Last Register’, etc., were hybrid weekly tabloids that built incrementally into a surrogate catalogue for ‘The Last Newspaper’ exhibition. The newspapers comprise a parallel programming and exhibition space (including, for example, a cartoon strip and an artist-run ‘advertising department’, alongside interviews and feature articles). They were an archive in formation companioning ‘The Last Newspaper”s artworks, organizations, and events, as well as a platform for critical reflection on the agency of art and artists, the information industry and its public with respect to the news and the newsworthy.
More info: Latitudes
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Manufactured Landscapes - a feature documentary by Jennifer Baichwal
Relacionado con Quaderns 262 | Parainfrastructures
Quaderns es la revista del Colegio de Arquitectos de Cataluña
Quaderns is the journal of the Association of Architects of Catalonia
